The latest Official UK Afrobeats Chart (covering 6–12 September 2025) saw a shake-up at the top, with a new leader emerging and several fresh faces entering the fray. This weekly chart ranks the 20 most popular Afrobeats (and Afroswing) songs in the UK based on sales and streams. Below, we break down who’s hot this week, the notable new entries making waves, and the surprising fall-offs from the chart – along with some trends and regional highlights shaping the Afrobeats scene.

🔥 Who’s Hot: Top Songs and Artists This Week

Odeal Lands His First #1
Rising artist Odeal vaults to the summit this week as his melodic single “MIAMI” leaps from last week’s No. 12 all the way to No. 1. This is Odeal’s first time topping the Afrobeats chart, and it comes after 8 weeks on the list, marking a major breakthrough for the German-Nigerian singer. The track’s surge to the peak (with last week’s position LW: 12 now turning into a Peak: 1) indicates growing momentum – likely boosted by Odeal recently being named Billboard’s African Rookie of the Year. His climb to No. 1 dethrones the reigning hit “Is It” by South African breakout Tyla, which slips to No. 2 after enjoying a stint at the top.

Crowded at the Top
The upper ranks of the chart are stacked with big names from across the Afrobeats spectrum. The week’s highest new entry is “Cash Flow” by Nigerian producer-turned-singer Young Jonn featuring Afrobeats superstar Wizkid, debuting impressively at No. 3. This fresh collab storms in as an instant hit – unsurprising given Wizkid’s global appeal and the song racking up over a million Spotify streams on its first day of release. Right behind, at No. 4, Afro-fusion giant Burna Boy climbs with “Love”, which nudges upward from No. 5 last week. Burna Boy actually scores two spots in the Top 10: besides “Love” at #4, his collaboration “Change Your Mind” (featuring Shaboozey) is holding at No. 7. Meanwhile, the Tyla & Wizkid duet “Dynamite” settles at No. 5 this week. “Dynamite” was a former chart-topper itself (it peaked at No. 1 a few weeks ago), so its slip to #5 still reflects a strong run for the South Africa-meets-Nigeria banger.

Rounding Out the Top Ten
The rest of the Top 10 also features a rich mix of African and UK talent. Nigerian songstress Ayra Starr holds steady with “Hot Body” at No. 6, continuing its six-week chart run. At No. 8 is “Badman Gangsta”, a cross-continental banger by Nigerian street-hop star Asake and French-Congolese artist Tiakola, showing how Afrobeats has permeated both West African and European scenes. J Hus – one of Britain’s own rap/Afrobeats fusion pioneers – appears at No. 9 with “Gold”, his collaboration with Asake. Notably, “Gold” was a No. 1 hit earlier in its 10-week run (the track peaked at #1 in a prior week), underlining J Hus’s strong influence in the genre. Finally, “Pay Me” by Nigeria’s Odumodublvck featuring UK grime legend Stormzy and Nigerian rapper Zlatan rounds out the Top 10 at No. 10. This Afro-rap collaboration debuted at #6 last week and now sits at #10, indicating a slight drop but still a notable UK-Africa linkup on the chart. All in all, the top ten this week is a vibrant snapshot of Afrobeats’ biggest tracks – from club anthems to TikTok smashes – with artists from Nigeria, South Africa, and the UK all prominently represented.

🌱 Notable New Entries and Emerging Hits

Several new arrivals shook up the chart this week, bringing fresh sounds and star power. Here are the week’s notable new entries (and re-entries) making an impact:

• “Cash Flow” – Young Jonn ft. Wizkid – new at No. 3. This infectious track is the highest debut of the week, as Young Jonn enlists Wizkid’s hitmaking touch. Its strong entry (after being released on Aug 29) underscores how eagerly UK fans embraced the song – it reportedly amassed over 1.1 million Spotify streams in its first day.
• “Isaka II (6AM)” – Ciza, Tems & Omah Lay – new at No. 13. A pan-African collaboration, this remix of South African artist Ciza’s viral hit “Isaka” adds Nigerian stars Tems and Omah Lay into the mix. The result is an “electrifying” reimagining of a song that already had 80+ million streams and over a million TikTok creations. Debuting in the mid-chart, “Isaka II” highlights how cross-border remixes are expanding Afrobeats’ reach.
• “Very Soon” – BNXN & Fola – re-entry at No. 14. Back on the chart is this smooth Afro-R&B tune by Nigeria’s BNXN (Buju) and Nigerian singer Fola. “Very Soon” originally peaked at No. 5 earlier in its run, and its return after 11 weeks suggests a renewed surge in popularity – possibly due to BNXN’s recent album buzz reviving interest.
• “To Be A Man” – Kizz Daniel – new at No. 16. Nigerian Afropop hitmaker Kizz Daniel makes a strong entrance with this emotive mid-tempo song, landing in the Top 20 on its first week. Known for past hits like “Buga” and “Cough,” Kizz Daniel’s latest single clearly resonated with UK Afrobeats listeners right away, giving him a welcome chart debut for this track.

📉 Surprising Fall-Offs and Notable Drops

While some songs are on the rise, a few former high-flyers saw steep declines or even bowed out of the Top 20 this week – in some cases unexpectedly. Here are the most surprising fall-offs from the chart:

• “One Condition” – DJ Tunez, Wizkid & Fola – exits the chart from last week’s No. 9 position (it had peaked at No. 8). This melodic tune – which features Wizkid alongside Nigerian singer Fola – was in the Top 10 just a week ago, so its sudden drop out of the Top 20 is notable. After a 5-week run, its momentum seems to have cooled rapidly, perhaps overshadowed by Wizkid’s newer collaboration “Cash Flow” stealing the spotlight.
• “London Summers” – Odeal – exits from last week’s No. 13 (peaked at No. 6). Odeal’s breezy summer jam had spent 13 weeks on the chart and reached as high as #6, but this week it finally slips out of the Top 20. Interestingly, its exit coincides with Odeal’s other song “MIAMI” shooting to #1 – essentially, he traded one hit for an even bigger one. The fade-out of “London Summers” after a long run isn’t too shocking, but the timing (as his new track soars) is a striking bit of chart turnover.
• “On The Low” – Tiwa Savage & Skepta – falls off from No. 20 (peaked at No. 10). This Afro-fusion collab between Nigerian superstar Tiwa Savage and UK grime icon Skepta drops out after a 4-week chart tenure. Given its top-10 peak and the star power involved, many expected “On The Low” to last longer. Its quick descent might signal that its initial boost (possibly from fan curiosity about the collaboration) tapered off fast.

Additionally, a few other recent hits are showing signs of decline: For example, “My Darling” by Chella – a track that impressively peaked at #3 – has now slipped outside the top ten to #11 after 13 weeks. “AyoubA” by Dystinct & D-Block Europe, which was a Top 5 hit earlier in the summer, is down to #17 this week (in its 12th week). These songs haven’t vanished yet, but their downward trajectories suggest they may be nearing the end of their chart life.

It’s normal for the Afrobeats chart to refresh as new bangers emerge, but the drop-offs of “One Condition” and “London Summers” are somewhat surprising because of their previous high peaks. Their exit underscores just how competitive the space is – even a Wizkid-assisted tune or a fan-favorite summer track can get quickly unseated when hotter releases arrive. For artists like Odeal and Wizkid, however, the good news is that as one song falls, another rises to take its place, keeping them in the conversation.

🌍 Trends and Regional Highlights

This week’s chart highlights the pan-African fusion and cross-border artistry that have come to define the UK Afrobeats scene. The diversity of artist origins and styles in the Top 20 is striking. A majority of the hits are driven by West African artists – especially Nigerian acts like Wizkid, Burna Boy, Ayra Starr, Omah Lay, Kizz Daniel, BNXN, and Zinoleesky, reflecting Nigeria’s continued dominance in Afrobeats export. At the same time, South African influence is strongly felt: Tyla’s success with “Is It” (a South African pop-Amapiano hybrid) and Ciza’s “Isaka II” remix (which is rooted in a South African 3 A.M. club sound) show how the sound of Amapiano and Afro-house is crossing over to UK audiences. In fact, the influence of both South African and Nigerian music is impactful not only on the continent but across the world, and the UK is a prime example – listeners are embracing music from Lagos to Johannesburg and beyond.

The chart also underscores the role of the African diaspora and UK-based artists in shaping Afrobeats’ UK popularity. British musicians of African heritage are all over this chart: from J Hus infusing Afro-swing into his rap (“Gold”) to Stormzy and Skepta lending verses to Afrobeats tracks, and even newcomers like Chella representing a UK Afro-R&B vibe. These collaborations between UK artists and African artists create a two-way influence: UK rap and pop get an Afrobeats flavor, while African hits get a boost in the UK market via familiar British voices. For example, “Pay Me” unites a Nigerian street-hop rapper (Odumodublvck) with a UK grime star (Stormzy) and a Nigerian zanku crooner (Zlatan) – a combination that resonates with both African and British audiences. Likewise, D-Block Europe (a London rap group) featuring on “AyoubA” and Skepta teaming with Tiwa Savage demonstrate how Afrobeat rhythms and UK urban music are seamlessly blending.

Another trend is the endurance of crossover hits thanks to social media and streaming. Tracks like “GOLD” by J Hus ft. Asake and “My Darling” by Chella have enjoyed long runs (10+ weeks) on the chart, suggesting strong replay value and possibly TikTok virality or radio support sustaining them. At the same time, the quick turnover of other songs hints at how quickly listeners move to the next big tune in the streaming era. New viral challenges or dance trends can catapult a song like “MIAMI” or “Cash Flow” up the ranks in a matter of days, while songs without fresh buzz can fade just as fast.

Regionally, it’s worth noting how widespread the Afrobeats wave is in the UK: artists from Nigeria, Ghana (indirectly via producers or features), South Africa, the UK, France, Congo, Tanzania, and even India have all appeared on this chart recently. Last week’s brief appearance of “Oh Mama Tetema” (a collaboration between Tanzanian star Rayvanny and Indian singer Vishal Mishra) at No. 19 was an example of the genre’s global fusion – though that particular track didn’t last long, it showed Afrobeats’ capacity to hybridize with other world sounds. The fact that such a song can chart in the UK alongside more traditional Afrobeat jams speaks to the genre’s broad appeal and flexibility.

🏆 Final Word

In summary, the week of 6–12 September 2025 encapsulates what makes the UK Afrobeats Chart so exciting: a new number one from a rising diasporan talent (Odeal), huge international collaborations debuting strong (Young Jonn & Wizkid, Ciza with Tems & Omah Lay), and a constant renewal of hits as audience tastes evolve. The surprises – both pleasant and harsh – for artists on the chart reinforce that in the Afrobeats world, staying hot requires constant innovation and timing. With heavyweights from multiple continents in the mix and fans tuning in via streaming and radio, the Official Afrobeats Chart has truly become a barometer of global African music influence. As Afrobeats continues to take the world by storm, the UK remains a vibrant hub where these sounds collide, thrive, and reach new heights each week.